From The CEO
THE WHOLE WORLD IS FLEETING AND THERE IS NO END TO CREATIVITY, SO SHALL WE START AGAIN PLEASE? YES! YES! YES! IT IS WONDERFUL TO DEAL WITH WHAT IS NATURAL, INFINITE AND ETERNAL INSTEAD OF WHAT IS CLASSIFIED AS NORMAL WHICH IS A FICKLE AND REEKS OF CONFORMITY: AN EMOTIONALLY MENTAL HORROR STORY IN MOTION PICTURE! IF ONE HAS LIVED LONG ENOUGH TO BE READING THIS SENTENCE THAN ONE IS TRULY BLESSED TO CONTINUE IN 'THE EVOLUTIONARY EXPRESSIONISM OF LIFE ENERGY', WHERE TO JUST THINK OR IMAGINE HOW MANY 'HUMAN' BEINGS ARE NOT HERE TODAY IN THIS VERY MOMENT TO READ ANY LINE WRITTEN AND/OR TO THINK THIS 'NEWS IS NEW' IS REVELATIONAL. WELL, THINK NO MORE OR ONE WILL THINK AGAIN THE PERVERBIAL ECHOES OF DEJAVU RISKING THE DARKNESS OF 'HUMAN' UNCONSIOUSNESS TO SEE THE SOULFUL LIGHT OF CONSCIOUSNESS!
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GALLERY REVIEW  Jane Avril THE NATIONAL GALLERY OF ART Washington, D.C.  At The Moulin Rouge Toulouse-Lautrec's appearance upon the 'Art' scene of life's creation may have dissuaded the art pretenders of his times from producing fraudulent 'ArtWorks' and discover through eternal maturation of interior truth, honesty and integrity the unique styles, methods and techniques for creating original and authentic 'ArtWorks' of dynamic advertising displays! The universal summons of a spiritual entity to come forth with treasures, gifts, talents, etc., is miraculous by nature. It doesn't matter how we are conceived in the bloodline of 'Humanity', we, Beings are an innovative pioneer of independent creative works to be celebrated, congratulated and revered by the artistic communion within mind, body and soul, as well as, in the world of 'Art' gatherings today! When a quickening happens nothing can be denied, camouflaged or hidden anymore, the truth pierces through and requires no explanation, it just IS!  Lady With A Dog  Marcelle Lender Dancing  Rue Des Moulins  Carmen Gaudin  Maxime Dethomas The master mind behind the famed CHAT NOIR (Black Cat) CABARET was Rodolphe Salis, who died in 1897. His advertisement tactics inspired publicity posters, made possible by the lithographic technique of the times. Jules Chéret's innovation of the artists of Montmartre producing the modern poster of coquettish, beautiful and voluptuous women who flirted with viewers and beckoned them to the Moulin Rouge dance hall was a generation older than Lautrec, however, Toulouse-Lautrec was commissioned to create his own poster advertisement for Moulin Rouge which was his first lithography and a tremendous success. In 1891, three thousand copies of Lautrec's Moulin Rouge: La Goulue were pasted on the walls around Paris, prompting an outpouring of popular and critical acclaim and turning the young artist into an overnight sensation." THE REST IS HISTORY!  Alfred La Guigne Organizers: This exhibition was organized by the Art Institute of Chicago and the National Gallery of Art, Washington, D.C. After DC Exhibit: July 16‚October 10, 2005 The Art Institute Of Chicago: Regenstein Hall Website: Art Institute Of Chicago THEATRICAL RETROSPECTIVE REVIEWS: The most wonderful thing about the demonstation of the the divine within the multiple dimensions of theatricality is the amazing grace and potential expansion beyond the beyond, a continuous creative process of manifestation. All things are unique unto itself. The surface appearances are brief but essential as a momentary expession of life energy as life evolves through channeled productivity reaching a cycling zenith then diminution starts another peak performance for transcendance. Nothing is wrong or right, it's just life experiencing experiences of experience! Theatre is a by product of this creative domain, as so it is...ACTING OUT! 
THE JOHN R. KENNEDY CENTER OF THE PERFORMING ARTS Eisenhower Theatre Presents the ROYAL SHAKESPEARE COMPANY Production of HECUBA by Euripides in a new version by Tony Harrison Highlighting The Box Office Draw VANESSA REDGRAVE with Ensemble Players: See: The Artists & Credits THE TRUTH CANNOT BE COMPROMISED IN THE NAME OF CREATED MEDIOCRITY! We all work, learn, manifest, release and let go....! To say that which is befitting without bias, prejudice and/or judgment is an arduous task beset before the pubic to understand the process of an open end quest in search of perfection in the imperfection of a royal theatrical attempt to seduce the muses for a supreme rein on high during the temporal progression of life's expressions upon the stage. The monumental profundity of a superb theatrical production is it's living essence concretized as reality experienced. To reduce or diminish the maximum perfection of creativity by producing prematurely a production riding on the 'Star' quality to draw the populace into lion's den to be devoured by compromise and mediocrity is theatre of the absurd! And so it is... The Royal Shakespeare Company needs a breakthrough of the blocks which prevent the life of "Hecuba" to live on the Eisenhower Theatre Stage. The attempt is commendable but the results are disastrous. The great anticipation and exhilaration felt as the house lights faded over the audience and the curtains concealing the majestic tragedy of dreaming passion begins to rise in the midst of haunting droning sounds of music drawing the attention of focus upon the ghost of a man standing down stage center gripped and held the power within suspended space. Then the production tragedy of this greek tragedy started as the character spoke without the dynamics of a master player. The anticlimactic discourse spiraled into the bottomless pit where salvation was not apparent during this creative process. Where was the fire and music? The 'Star' struggling to shine brightly amidst the drudgery of the dung heap of an ill fated production with conceptual, directorial, staging, and choreographic problems were obviously unresolved in rehearsal but camouflaged as a play ready for public viewing because of the 'Star'; it is hard to bare, however, for the glory of the 'Star' it was bared disappointedly. The story of 'Hecuba' as described in the program was not the play on the stage. The set, lights and direction with the exception of sound and music composition wasn't inventive nor spectacular by design but flat and dull. The stagnant greek chorus was singing like chirping birds but not speaking a word. The varying principle players seemed to be struggling with the language, emotional dynamics as well as the play itself. This new version by Tony Harrison obviously intended to be a musical comedy not an in-depth, undeniable, masterpiece of anguish, pain and suffering of the greek tragedy. The premise of this production distorted and deceived the true essence of the greek chorus' purpose to propel and transport the 'Human' experience of the times to this day, as originally envisioned by Euripides, based upon historical tradition into heavenly hell and back again. There wasn't any visible action or reaction comprising the interplay of drama really seen or experienced by anybody, but the choral narrative explanation of what we should be seeing and experiencing as cause and effect for heightened emotional rage and tearful deluge on 'Hecuba's' behalf was a distraction from 'Hecuba'. Everything thing done was on the verge of a major breakthrough but it never happened. The struggle was too great a load to carry forth by the 'Star'. This blatant mishap cannot be dismissed which caused the semi electrical reverberation vibrated from this proscenium stage to slide into a saddened level of humdrum boredom which overshadowed the theatre house. WHAT IS GOING ON HERE? The uncomfortable acceptance of what by reputation of the RSC should be, shouldn't be politely acknowledged, then sent into oblivion. No! No! No! We have a responsibility not to accept less than we know we must have to transcend all levels of mediocrity. This cannot be the renowned RSC of the world doing such a poor, unprepared presentation of a great work of 'ART' with the indisputable magnitude of the great actress of film, stage and television, 'VANESSA REDGRAVE'. Oh, my God, she is drowning and needs support from the surrounding players and they are pulling the play from right underneath her 'Stardom'. WHAT A MODERN DAY TRAGEDY...WILL SHE SURVIVE? Well, the curtain call indicated the sympathy, compassion and understanding by the audience when she came forth to take a well deserved bow and thank us for enduring this greek tragedy. The Universe is vast, as we are the actors upon the stage of life who must render justice in creative truth, honesty, character and integrity here and now! We must be an impeccable ensemble of players in the effort to emulate the divine essence of being 'Human' without compromise during 'The Evolutionary Expressionism of Life Energy'. We cannot settle for a continuous embrace of mediocrity and high ticketed prices in the name of theatre which hasn't any revelatory effect upon its participants in or at any theatrical endeavor. WHAT IS TO BE CORRECTED? The Star's falling hair must be pull back, pinned, wrapped, tied, held out of the face, to be seen without any hidden embarrassment or disgrace by upstaging directions. The greek tragedy isn't to be treated like a Shakespearean 'Comedy of Errors' production, it is GREEK! The chosen medium of a theatrical production must uphold its authenticity by the director's knowledge, skill and ability to bring forth the wisdom of truth through the work of 'ART'. RSC's approach to the 'ARTS' is not just to do an haphazard production in its name but to transcend all manner of limitation, boundaries and restrictions structured to deceive the public. WE ARE THE GODS AND GODDESSES WITHIN THIS UNIVERSE INSPIRED BY POWERFUL EXPANSION OF TIME AND SPACE TO GO WHERE WE HAVE NOT GONE BEFORE! This focal point for clarity is not constructive nor destructive criticism or an attack on valiant intentions but an observation prevalent to the elevation of mankind's 'Human' consciousness to awaken in the divine bliss of theatrical productivity. We are well seasoned and know the truth of what we know but being nice is devicive and phony. The truth is bold, direct, uncomprising, kind and free. When we are the 'demigods of the universe' why deny the kingdom of creative transcendence of perfection's imperfections through mediocre works of 'ART'. This opportunity is a lesson well learned for the next 'Hecuba' or any production by ROYAL SHAKESPEARE COMPANY to awaken and be classically impeccable, we trust!  FIVE GUYS NAMED MOE Please See: Cast & Production Credits NO ONE TAKES YOU THROUGH IT, YOU ARE PUT THROUGH IT, PERFORMANCE AFTER PERFORMANCE...LIFE! LIFE! LIFE! WHAT A BLESSING SUPREME! Its the journey that truly counts; for naught a result to cling to as all things are impermenant. When listening to the inner voice of creativity, it beckons one to show out, to open up and let it all go... The Alliance's threatrical presentation of this production under the direction and choreographic talents of Mr. Gash was a delightful treat. We were astounded, mesmerized and driven completely insane with joy, celebration and jubilation at the total commitment and performance by the entire production's efforts. Having seen the Broadway Show from the originally produced version at the Theatre Royal Stratford East, this production surpassed all expectation. It is rare that a regional theatre meets the high standards of a full fledge broadway type production, but this one does without a doubt. The masterful hand of the director/choreography left no stone unturned to mount this musical by Clarke Peters, featuring Louis Jordan's Greatest hits. The ensemble casting was superbly done with the triple threat talent attributes of these actors who without a doubt could truly sing, dance and act! The extraordinary energy exuding from the stage was an affirmation that the convergence of great talents can invoke the muse of fire and music to bring forth a transcendence beyond limitations without compromise by masterful players of creativity. The simplicity of this intrically complex musical production was clean, sharp and precise in execution. The apparent effortlessness of this nonstop show, where the performer must top every number with brillant skillfulness, was breath taking. There wasn't any holding back. Everything was done full out and to maximum perfection. The fun was on the stage. The production reeked of artistic and creative passion from beginning to end and oh what an ingenous integration of audience participation to sing a long... PUSH KA-PI SHI PIE-EH EH PUSH KA-PI SHI PIE-EH EH OOBLIE-AAYEE EYE YAY ABLA IT'S THE NEW CALYPSO BE BOP It was a party! It was a blast! The sadness was it couldn't last! It seems there is so little joy in this depressed world. When a theatrical production can get everybody to drop the weight of the chaos and confusion generated by the world for a brief but full release from the worries, tripidation and battles, it's a happy happening which happens! The cohesiveness and consistency abound in the interplay between the talents on the stage. Everybody emerged as one field of energy complementing each other extremely well, moving and dancing to the music of the soul's absolute freedom.  THE PIANO LESSON Please See: Cast & Production Credits We have graced the 'Arena Stage' Washington, D.C. once again to partake of the awakening to the production slated for the current season 'The Piano Lesson' written by August Wilson and Directed by Seret Scott. This particular August Wilson play is not without a great deal of notoriety since it evolved into a film production due to its initial success by public appeal and artistic popularity. We enjoy observing the manifestations of live theatre because everything is in the moment of creating regardless of rehearsal and/or how many times a previous performance was experienced. The greatest reward for an 'Actors' is the opportunity to work, work, work and work some more, until there is no more! Everything else is process with gravy. When yearly focusing on the very few 'Actors' from the infinite pool of professional 'Actors' awarded and playing all over the globe for the public to enjoy and appreciate, we take a pause to remember, it is the work that is the most important! The 'Actor' knows the extensive hard work put forth in the limelight or heyday of career visibility which cannot honestly be accoladed in earnest. The production houses prepare the next generation of 'Actors' to replace the fading lights into oblivion. 'THE PIANO LESSON' alludes to such a process in the making where the dream machine is turning out potential models for bigger stages to embrace. There isn't any way the masses of wonderful, incredible and profoundly talented 'Actors' can participate in a selected arena alone however, it takes everybody to create the champion player for the seasonal showing that theatre is alive and well. The 'Human' creature is extraordinary. The mysterious persuasion of spirit residing in mind, body and soul conceptualizations invokes discovery, investigation and exploration of 'Being'. In 'THE PIANO LESSON' there is something about the unknown that fascinates the 'Human' curiosity. The ancestral story line reveals an inner connection with memories keep sakes, my roots! The spiritual realms of interconnect relations from past, present and future concepts of life's illusions. The specific interest which seems grab hold of the mind is death and the messages transmitted from the beyond the beyond. The oracular impulse suffused in the mental, emotional chaos and confusion over the possession and obsession of the 'PIANO' is a lesson routinely provided step by step with the players on the Arena Stage. The setting was engrossing and encompassing of the space where all events for that evening's performance must take place. The lighting had a sense of optical diversity interchanging the varying moods with distinctive character expression regarding motivations, objectives and determinations. The conflict of interest between two family members over the 'PIANO' and its perspective value was used to substantiate the resistance of past, present and future realities. We followed this families 'Human' drama to the supra natural domain where psychological and emotional intensity ruptured the bloodline vehemently. The attraction to authoritative maneuvers crisscrossed each other whereby ultimatly everybody in that house was captured by this piano's spell. The acting was a little mechanical in the beginning of the play. The 'Actors' came on with a rapid dialogue fire that seemed to pump the adrenaline for fear that the play would not engage the audience's attention. This was disconcerting initially but after about 15 minutes of this a transition happened which suddenly caused the play to take off. The 'Actors' had arrived on the stage and we joined them for the journey to completion. The directing interweaving the nuances of the dramatic threads patterned constructs of character strengths and weaknesses. The ensemble played well; however, directorially the second act petered out! When we experienced the heightened moments of dramatic intensity at the close of the first act everybody in the audience was shocked and surprised at the rage, anger and frustration demonstrated around the 'PIANO's' significance and why the beast was set loose upon the 'Human' stage of these people's lives. The ghost relative appears on the stage to prevent the 'PIANO' from being removed from the premises in the most climatic part of the second act was usurped by the decrease in necessary intensity to prevent the audience from laughing. This was a directorial flaw. The 'Actors' carried the show as far as they could but the burden was too great and broke the camels back. This was an unsatisfying conclusion with otherwise a delightful evening in the Theatre.  CROWNS written by Regina Taylor adapted from the book by Michael Cunningham and Craig Marberry directed and choreographed by Marion J. Caffey musical direction by e’Marcus Harper at the Washington, D.C. ARENA STAGE’S KREEGER THEATRE July 5th through August 7, 2005 AN INVIGORATING, VIVACIOUS, INSPIRATION, BRILLIANT, SUPERB, EXCELLENT AND MARVELOUS CREATION OF HUMAN EXPRESSION! Please See: Cast & Production Credits Along the lines of a Vinnie Carroll Broadway production of ‘YOUR ARMS ARE TO SHORT TO BOX WITH GOD’, this production ‘CROWNS’ is an evolutionary masterpiece. It captures the essence of the ‘Human’ spirit and transcends all boundaries, limitations and restrictions associated with a struggle for survival motif of African American populace. The seven star cast sizzles with delight, fortitude, pazzaz and profound spiritual depth through song, dance and poetic justice. The interweaving and playful truths of universal recognition astounded the audience and electrified the theatre building. The clapping of hands, singing along, laughing out loud and giving praise to LIFE! LIFE! LIFE! opened up the heaven within everybody in the room as the spirit brought down the house. The direction, staging, lighting, choreography and musicians were stupendous to say the least. What a blessing supreme to actually have a theatrical experience of elevated dynamics once again. We must thank the entire production team and ensemble cast from the depths of ‘Human Being’ for the wonderful adventure set before our hearts to partake upon the 'Arena Stage' Washington, D.C. This production of 'CROWNS' was breathtaking, floor stumping and absolutely soul stirring. Everybody enjoyed themselves immensely. It is so wonderful to bring people into the theatre who otherwise would have never seen a stage production of this magnitude. There were children, young people, adults and elders in family circles, individuals and groups provided with this opportunity to celebrate life to the utmost highest, and boy, oh boy these 'Human Beings' felt the spirit. When a theatrical treat comes along like this, it is essential that one doesn't miss such a delicacy. It was delicious! To reiterate: the entire production is superb, the music divine, the dance excellent, the direction specific, the production eloquently and simply presented but most of all the play was spiritually uplifting, informative and moving - GO! GO! GO! SEE IT TO BELIEVE, JUST GO! Michelle T. Hall, Literary Manager at Arena Stage also states, “In Crowns, hats are more than accessories; they represent pride of mind, body and spirit. In the days when hats were de rigeur for the fashionable woman, many African American women could not find the opportunity to wear them at their jobs, which often meant menial labor due to the inequitable hiring practices of the time. So hat-wearing was reserved for the inner sanctum of the church. The hat was a tool for communicating one’s pride, dignity and self-worth in the face of a world that might suggest - or even tell you - otherwise. A love for hats bonds women with their mothers, daughters, sisters and friends. Oftentimes, a cherished hat collection will pass between loved ones. It is an honor to be offered someone's hat as a gift; it’s a symbolic act that Meant you are worthy of great intimacy and love. Hats also represent one’s spiritual relationship, as one of the church-going women’s profile says: “I’m going to meet the King, so I’d better look my best.” The church serves as a center of the ladies’ spiritual and social community, and their accessory-their crown-marks them as part of the flock while also singling them out as individuals. These women preside as royal queens at the right hand of their Maker. The title, after all, is Crowns, instead of , say Hats. In honoring these amazing women, we celebrate the divine in them, in ourselves and in the social -spiritual community that is live theatre.” Please know when there are opportunities to see a production like this. seize the day and have a fulfilling ‘Human’ experience. The Arena Stage’s ‘CROWNS’ brings such joy, jubilation and celebration to the hearts and souls of all the QUEENS and KINGS in the ROYAL FAMILY of HUMANITY. Bravo, Brava!
The Book is available at Amazon:
 Crowns : Portraits of Black Women in Church Hats by MICHAEL CUNNINGHAM, CRAIG MARBERRY LIBERATION DAYS!
"Dancer" Edgar Degas (1834-1917) Amazon Books: Caravaggio The Law of Attraction brings into contract and relationship with me all those people in whose company I find the greatest profit and enjoy ment and to who I may give the most. I am happy and radiant, for I enjoy at all times perfect companionship. I trust implicitly the Law of Attraction to bring into my environment and atmosphere friends and loved ones, and establish for me a community of interest and helpfulness. As I love and co-operate with my fellowman, so does he love me and give his co-operation to me. I am happy in all of my companionships and relationships, because they are worked out perfectly by the law, and the Law is motivated to work for me BY MY LOVE FOR PEOPLE. My Loving Thoughts of Others Attracts Friends to Me – Ernest Holmes Evolutionary Expression
Masks Forged Of Fire, 1994. Poetry #177 CONFIGURATIONS ECLIPSE Knowing instinctively beyond dogma Man's attempt to control, judge and Categorize his position building Upon out mode systems beliefs, etc. Who do you know that attends Theatre, galleries, the people From appearances, not! Some painting to flow With imagery The future view Through present journey. Solar eclipse morning Saw the path from England Cross Europe, Iraq and into India, Very exciting to hear all the Different ideas on it and The planetary configurations as Always extremes of thought On the occurrence. The occultation of the sun by the moon. From asteroids to aliens, Imaginations soar and the inner reality Emerges in invisible ways to transform, Evolve and fulfill Loves movement outward, Permeating all things. The Divine energy moves all, Surrounds all, Is within all, And it is Good! By JV Harvey Appreciation & Gratitude
We sincerely appreciate all the contributions on every level in support of our efforts to collectively bring about joy, happiness, loving-kindness, peace and goodwill to all of Human Kind. Now is the time and the time is eternally now to give thanks, for the whole of creation to continuously bring about an harmonious convergence for the sake of humanity.  "AzalČes" Henri Fantin-Latour (1836-1904) Colveyco provides links as an affiliate of: Dick Blick Art Materials, and Amazon.com For Press Release Notifications For This Newsletter: Subscribe |
One is doing the world. The world is not doing ONE! There isn't any fault or guilt required when one is performing according to one's gifts! It is known that to deny one's impulses is to deny being 'Human'. We are 'Artists' creative pockets of energy emerging and dissolving into and out of time and space continuum. The mastery of one's craft, one's 'ART', is what we 'Artists' are compelled to produce for others to see and purchase. The 'Artists' uncertainity through doubt brings about insight, wisdom and understanding beyond all boundaries of previous incarnations. Hear! Hear! Why should one travel life times to another's funeral ceremony, when one didn't travel the time to visit the deceased when that particular individual was alive and well in the flesh here on earth? To send and/or receive flowers when one is alive and well is a blessing supreme, otherwise, it is a waste of creative energy to visit when one has transcended this temporal domain as the burial ground for the 'Human' bodies persist and awaits patiently. Driven by the old habits of social duty disguised as the new concern for another is deception of the nth degree! Know the truth and the truth shall set one free..."MAN'S CHARACTER IS HIS FATE!" We trust as 'Artists' that one's life will read better than it was lived as a pure spirit trapped in the matter. What are we doing here? Minding the business of a 'Child' who is rich beyond avarice. The revolution in 'ART' can be benefical to the 'Artists' when living the life, the life "I'M" living now, for when "I" die, "I'M" dead, "I'M" done! Why is it that we are always trying to do the things we can't do but never do the things we can do?
Let all 'Humans' own the fact that we 'BEINGS' are works of 'ART' in progression's capsuled and yet evolutionary timeframes. It is, once again, the mastery of the 'Artists' craft within one that wants to see generation upon generation's creation of omni proportions! The meticulous details show that we are evolving gods of the universe creating and manifesting 'ALL THAT IS' within the infinite realms of creative expression's field of energy; transforming the duality of 'Human' existence into it's single point of divine focus out of chaos and confusion. Such is the paradox of ignorance courted by mankind as 'Artists' learn not to pursue relationships, especially when they are not mutual, whether they be personal and/or impersonal. There isn't any omission of worldly lies told even under diverse scrutiny to keep victimization at an all time high. We are conditioned to believe the beliefs which formulate opinions, point of views and position's opposition creating duality's continued rift in the unified field of 'Human' consciousness. The creative anxiety, frustrations and intensities experienced by 'Artists' in relationship to 'people', 'places' and 'things' can be overwhelming within the matrix of the 'Human' world, thereby encouraging the 'Artists' to will to be alone which doesn't equate to a state of being lonely and/or depressed! We just get tired of the world of creatures who are fighting, fighting, fighting, always fighting; apparently to no end but the desire to FIGHT! It appears that very few, if any, races of 'mankind specifically have true courage to live in peace, harmony, compassion and loving-kindness, where there is obviously turmoil and destruction witnessed everywhere in the visible world at large... AND SO IT IS... ILLUSION'S GRASP! When the 'Artists' awakening of freedom is truly experienced for all times then the removal of this illusory curse upon 'Human' existence must and will be transformed by nature's eternal blessings of spiritual progression to live in divine relationship without duality's holding patterns as being revealed constantly during every phase of "The Evolutionary Expressionism of Life Energy'. This is the answer to why we are surprised when the truth comes forth from the inner dominion about the earthly 'Human' selves when looking through, at, the reflective lens where the inner aggressions reside entangled with ego's personality conflicts, crying out in universal confessions. The 'Human' condition is transforming although the images do not seem to indicate this to be so, it is so! WE 'COME' AND WE 'GO' LIKE RIPPLES OF A STREAM, AS NOTHING IS PERMANENT IN THE EVOLUTIONARY EXPRESSIONISM OF LIFE ENERGY!
It is evident that we do not intend to harm, damage, hurt or destroy creation, but something inside of the 'Human' Being is determined to do just that at any cost. Of, course, this is delusion. We are the "I'M" of IM -POSSIBLE!, not the "M" creating a misread called, M-POSSIBLE! The happening circumstance of life energy itself knows that winter, spring, summer and fall neither needs to be accepted nor rejected but allowed as the natural unfoldment of 'Humanity' to complete its revelations for all cyclical seasons. All things are possible. The profundity of accumulated knowledge used without understanding and wisdom appears to fall short of its goal as knowledge; therefore the base integrated points of light and dark focused into the exactitude of it's opposites for enlightenment of the conceptual mind, body and soul is the spirit encompassing inner powers of being 'Human'. This innate power is dangerous to itself when it's misused. The consequences are devastating. The 'Artists' universal understanding of compassion for all creatures is essential for transcendence to prevail over the devastation experienced by mere mortal's mortality codes for deprivation of life's essence. Every 'Artists' truth to nature's design must be in the world but not of the world in order to expose through form the essence of life doing the creative work efficiently, proficiently and effectively for the whole of 'Humanity'. The world species called 'mankind needs its 'Artists' as well as the 'Artists' needs to provide the world of 'mankind with supreme works of 'ART' as a reminder of the natural extinction of all creations within time and space. The fact of this proof is right here and now as the fleeting moments have been just demonstrated by reading to this point of this text. Where did the time go in space? We are privy to think about creation's powers to manifest the impermanence of all experiences since the beginning - end - beginning time ending through 'ArtWorks' brought forth upon this universal canvas. The cosmic earth is infallible but 'mankind is not. The 'Human' form is vulnerable to its egotistical folly, therefore it succumbs to its demise over time.
CONTROL! THERE IS NO CONTROL. WE HAVE BEEN DOING EVERYTHING WE ARE DOING AROUND THE GLOBE SINCE THE EVOLUTIONARY EXPRESSIONISM OF LIFE ENERGY EMERGED FROM THE ABYSMAL FIRMAMENT. The earth has been through all recorded time's beknownst to 'Human' Being's ancestral tracking devices of temporal existences, before, during and after birth and death cycles consumed by generation's generation. It's imperative secrets are embedded in the floor of the pounded earth; the soil of which every cell producing inhabitant brings forth abundantly its species and returns. Every discovery, exploration and investigation documented, thought written and/or read, is an expression of this fact. The imagination inspiring psychic awareness of earthly creatures interconnected as the organism is interrelated throughout this field of pulsating energy. The 'Artists' knows the motivation of life is to LIVE! LIVE! LIVE! There isn't anything greater than LIFE. The dedication of the 'Artists' isn't to preserve life but to create and produce great works of 'ART' as an exhibition of the transforming consciousness of 'Human' Beings as potential masters of LIVING LIFE. Through demonstrating extraordinary, phenomenal, miraculous experiences during 'The Evolutionary Expressionism of Life Energy' here and now, 'Human' Beings may come to understand the value of universal freedom including duality's causes and effects in the world.
The observation made individual to individual is that every 'Human' Being must go through a process of self-realization; discovery; investigation; exploration; acutalization and revelation. One isn't exempt nor excluded in any way, shape or form from oneself regardless of constructed psychological and physical states reflected within reality's dimensional illusions where substantiating conditional contradiction's conditions stand approved. Artistic mastery is living and breathing through conceptual things like everything else created. It is movement, dance, fire and music of the free spirit's all encompassing powers. It doesn't belong to any particular aspect of things or any separate body created within this universe. The creation's indomitable power willing manifestations into infinite cycles of awards to reward the great performances of 'Human' Being's highest levels of mastery achieved continues to dowse the chosen as representation of the many malfunctioning 'Human' entities residing in turmoil, chaos and confusion around the globe. To awaken to the greatest potential, the 'Artists' must persist to be the créme de la créme of creative abandonment; which is evidently experienced as 'ONE' creative force manifesting masterfully 'ALL THAT IS' created called 'LIFE'.
Yes, the brainstorm vies for attentiveness; the internal turbulence shaking like an earthquake erupting its oppressed, and suppressed, energies imprisoned from freedom is surfacing as reminders to allow the inner break through of 'Human' emotional rage and anger to be released as the perpetual monstrous deed it is. It is necessary for every 'Artists' and/or creative 'Being' to acknowledge the catadioptic reflection's refraction of light to emerge an awakend state of 'Human' consciousness; to transform from the inner depths of 'Being' to a complete changed 'Human' species of such magnitude that duality's 'HEAVEN AND HELL' will be no more! We 'Artists' cannot dismiss the atrocities and/or tragedies experienced in life by 'Human' Beings. We absolutely must come to a greater understanding transmitted through 'ArtWorks' for the 'Human' specie to totality change individual ways that create over and over, time and again the same experiences of the world today. When we recall the identities, names of the nameless names, the sources known as inspiration for previous entities who have come and gone; it seems that it isn't important what anybody thinks or does for 'Humanity', but it is. We, 'Artists' cannot be in pursuit of SOME-body or SOME-thing else to do the work we have come here to do and this cannot be compromised! The ultimate creative reality is the work being done now! Each well born soul is charged to do what has to be done by the volition to manifest the divine within this world of 'Humankind'... AND SO IT IS!
The world populations are being summoned to integrate into the fabric of this universal web of creative unfoldment conscsiously as this supernova expands itself star system into oblivion. Therefore, the greatest senses inspiring joy and 'FREEDOM' about life is producing new ways of living life with detachment from delusions about reality's illusions having any permanent or everlasting effects due to causes of 'Human' existence of a past as finality. We are in life's progressive processions of infinitude! When we keep the simplicity of this innate understanding at the forefront of the 'Human' endeavors and celebrate everything every 'Human' Being is contributing to 'The Evolutionary Expressionism of Life Energy', we realize truly the impermanence of it all. THE VIPEOUS NEWS STAND HIPES TAKE FLIGHT! The encouraged pain and suffering that is creating 'Human' frictions, arguments, disagreements, fights for Peace, in the name of God, etc., all that good stuff ends up equaling zero result, and ultimately for all that has come before is now and now is gone before within the presence of Creation. The conglomeration of excessive energy used to force controls of 'peoples', 'places' and 'things' is consumed within the scope of 'All THAT IS' no matter what it is! We 'Artists' understand that when one is working out the dilemma's of oneself, sometimes everything appears a fragmentation of imagination while getting one's bearings of what to do or not to do next. We inspire, not fret, for all things have come to pass as free spirits creating creative experiences within Creation.
The incessant war zones around the globe amplifying causes and effects within 'Human' consciousness mediates the heightened sensations experienced internally and externally as one and the same. We are acting out every possible emotion known as a determination to evolve beyond 'Human' infliction. The images bombarding the system of telepathic transmissions are not entirely true to formula of today. There is still the unseen seen as a concurrent riding underneath the 'Human' existence which is felt more than talked about by its silent nature. The 'Artists' knows 'ONE' doesn't have to pressure oneself to prove oneself when one is proof of the self that one is. The 'ArtWorks' created speaks and supports one as one works unconditionally through the imposed conditions constructed as illusion. We are always working in mastery of this 'ONE' self. We, 'Human' Beings don't have to chase dreams but embrace the essence within the dream stages that we are; just allow oneself and go with the flow! The resistance to the surface presentation of reality is fruitless and strengthens the dualistic battles raging against the inner suppressions and restraints, fighting to be released, heard and listened to without condemnation, accusation, and judgments at play. These acts of 'mankind's manifestations are deliberate distractions to be detached and freed from 'Human' consciousness once and for all as life CREATES THE BELOVED 'ARTISTS', whose debate is abated as fated. There isn't any 'Artists' today dead and/or alive that isn't sitting in the seat of conceptual god guarding creating creations! The purging of oneself attached to all encroachments upon the supreme Being 'Human' of one's inner works are in total freedom.
THE COMMANDMENT TO BURST OUT, SHAKE LOOSE FROM THE IMPRISONMENT OF LIMITED THINKING, ENABLES INVIGORATION, ENTHUSIASM AND REVOLUTION TOWARDS UPSETTING EVERYTHING COMPLACENT SURROUNDING THE CENTER AXIS OF ONE'S SPIRALING CREATIVITY BEYOND THE BEYOND. We, 'Artists' are within an expanding universe. There isn't anything fixed. The best is yet to be. To entertain the conformity to regimentation of mind, body, soul and spirit is a deception when going by or relying on surface appearances which stimulate modern interpretations of chaos, confusion, rage and hate! The 'Artists' must always feel the bursting loose; the creative vibrations bursting loose; never to become clones of a living dead social apparatus; but refreshed and renewed constantly. It is understood that no 'Human' is better or worst then another; the essence of every BODY -BEING is the same from whence and thither! Ceative expressions merely address the infinite probabilities and possibilities of the demigod's mortality manifesting realities within the kingdom of this universe.
The intuitive awareness of what is going on is available when 'Artists' tune in without persuasions, influences and/or forces known to know the unknown experiences known. WORK! WORK! WORK! It is great fun and joy to do one's work, the life's work of being, doing and having without imposed delusions of stress, strain and struggle. The purpose is to bring forth the eternal light and love into this dark world, more abundantly through all manner of creative 'ArtWorks! So let it be as it is written, so it is done. We, 'Artists', 'Humans' are not in control and will never be in control of creation creating creations as its orchestrated instruments, vehicles, channels or whatever manifest the immediate experiences. It is all right and definitely okay to be where we are, the good, the bad, the ugly within this sublime universe. In this very moment of reading this commentation one's individual imagination is invoked, provoked and evoked to soar beyond limitations and restrictions of even these thoughts. We are encouraged to think the thought thinking beyond the thinking thought... reaching, stretching, extending into the glory bestowed upon that which we deem the...
"World-honored One! It is as if some man goes to an intimate friend's house, gets drunk, and falls asleep. Meanwhile his friend, having to go forth on official duty, ties a priceless jewel within his garment as a present, and departs. The man, being drunk and asleep, knows nothing of it. On arising he travels onward till he reaches some other country, where for food and clothing he expends much labor and effort, and undergoes exceedingly great hardship, and is content even if he can obtain but little. Later, his friend happens to meet him and speaks thus: 'Tut! Sir, how is it you have come to this for the sake of food and clothing? Wishing you to be in comfort and able to satisfy all your five senses, I formerly in such a year and month and on such a day tied a priceless jewel within your garment. Now as of old it is present there and you in ignorance are slaving and worrying to keep yourself alive. How very stupid! Go you now and exchange that jewel for what you need and do whatever you will, free from all poverty and shortage.'" ( from the Lotus, Sutta, translated by Bunno Kato and W. E. Soothill)
The 'Artists' is born to live and must awaken the gifts of life's fortunes granted upon a natural agreement to come into this world as the honored ONE! It happens the way it is happening and could not have happened any other way in the unfoldment of life's sojourn than it is happening, no matter what it is which is happening. Take all of the believed beliefs or not and chuck them to the winds as a part of 'Human' transformation, and transcendence, to explore new horizons, new possibilities, rendering complete FREEDOM! The single movie reel of selected multiple highlights constituting the obituary of masked players and their contributions to 'Humanity' are infinitely divine expressions once again. The display of artistic endeavors are represented by the cubes, the boxes, the coffins, the grave earns as markers of a free spirit passing through illusion's reality imparting compassion, loving-kindness and lights shining across the cosmos, be it negative or positive. LET IT ALL GO.... No question can ever be asked without the answer given in the question when asked. STOP ASKING QUESTIONS ASKED AND LIVE, LIVE, LIVE! Let no artificial powers or persuasions deter one from one's task to be great! The superficial surface appearances of rich and famous ideals are cover-ups! The truly rich and famous spirits are free from having to show or tout the ideals of the rich and famous as an exclusivity. We, 'Artists' are inclusive. We, 'Humans' are ONE! We are being 'Human', 'Artists' on a mission to bring light and love into the darkened world. The light is not to save the world but to live in the world freely which affirms that darkness is so far away as a moment ago. The psychological maintenance is released. The decision within the decision is therefore played out until another decision is made into continuous decisiveness about life on planet earth. The mind is made up to let oneself be! If not, then make up the mind to set oneself free! The mind cannot do this without being AL -ONE (alone). The truth of life is that it never ceases, nor desists, it keeps rolling along, doing what it does best, it CREATES!
NOW, we trust we understand the presumed perks and pitfalls are illusory. When we, 'Artists' as one don't command the self, then one's denying oneself and succumbing to the whims and fancies that denies oneself is confused. One, "I", the single inclusiveness is one, "I", that's rich and famous. This is divine ordination. We 'Artists' come to cross roads where decisions are made constantly. When we leave things the way they are, changes do occur the way they are. The movement is within the motion for the better of all creative beings to realize the divine at play. The game of life is life's game accordingly whether we accept or reject it. We are one "I" not two. What "I" do to 'you' "I" do to myself as "I" do to 'you'! There isn't any differences made when we understand the 'SELF' as the 'ONE', "I", the 'ARTISTS'. This overview is vaster then we think or speak. The total Oneness stated strongly here without mumbling or mincing words as presumed articulate speech is usually done to cover-up, isn't any judgment made of this moment for the willing will of Life is what it wills; that many have learned and forgotten the moment transitions; surrendering to joy, releasing misery, touching the life of another which is supreme. It's all new even as it appears old - that we have been here before now we are here!
There is a divine sense of 'Humanity' being experienced everyday the 'Artists' sees everybody willing to know the deceased as the born opportunity to LIVE. We don't fret for remembrance of a memorial memory as this will not do one any good if one doesn't know how to use the time of life. While bringing this to one's attention all data comes and goes thereto fore, cling to nothing. The world is by far not short of artistic endeavors through creative intercedents, producing excessive 'ArtWorks', in every imaginable transgression. We, 'Artists' must work and toil to avail without exception for the sheer joy and 'FREEDOM' of it. The modernizing ancient crusade's coming out of containment wherever the thou 'ART' is unleashed from imprisonment of Life's energy. We 'Artists' must understand the calling here and now in this series of divine Being as the "I" witness maximizes brilliantly an uncompromised display of creative genius at work's of 'ART' in every aspect dynamically performed as long as...
Alas, the expression of essence that "I" am is feeling divine. Everything is one wholeness using creative powers! One knows what one wants, and since one knows what one wants, one stops professing one isn't getting it! "I'M" getting what "I" want because of whatever excuses 'I' have used based on fear to master creativity is one's faith! What does an 'ArtWork' do? How does it impact or make a difference in the 'Human' world consciousness? We 'Artists' are enriched when we take-off the GARB-AGE and reveal the "I'M" AGE integrated into unlimited time's timeless AGES. It's okay to have and use knowledge fellow 'Artists' when it is applicable, however, it is the greatest success to detach from knowledge in order to experience it anew. "How shall I know when I know?" The very fact that one can ask this question proves that one does know, when one doesn't know, that one knows, ask again. One proves one's knowing by doing... and so it IS! "I" AM, IN-DEED, HAPPENING TO BE...LIFE! LIFE! LIFE!
....John J. Steven Cole
"We may be quite emphatic in saying that we think the Universe exists for the expression of Spirit, and man exists for self-expression, because he is the expression of Spirit." – Ernest Holmes
Books of Great Insight and Wisdom
ON NOT BEING ABLE TO PAINT
by Marion Milner
GREEK TRAGEDIES, VOLUME I
by David Grene and Richmond Lattimore, Editors
THE SECRET OF SHAMBHALA
by James Redfield
THE LIFE OF REASON (Great Books in Philosophy)
by George Santayana
THE PICTURE OF DORIAN GREY
by Oscar Wilde
TENDERHEADED, A Comb-Bending Collection of Hair Stories
by Juliette Harris and Pamela Johnson
MAKING PEACE WITH MONEY
by Jerrold Mundis
THE INVITATION & THE CALL
by Oriah Mountain Dreamer
NOTHING DOWN FOR THE 2000s, Dynamic New Wealth Strategies in Real Estate
by Robert G. Allen
[Available through CCPI-Booklist]
Click the Door to the Reading Room
William Blake 1757-1827
Jerusalem Plate 31
William Blake 1757-1827
Jerusalem Plate 31
News Bulletin
CONGRATULATIONS!
REGINA HICKS
Black Filmmakers Hall Of Fame Honors Cast And Crew of TV Show 'Girlfriends' During Gala See: JET Magazine! May 30. Page 46-50
Regina at Gala
Web sites: Jet Article and Black Filmmakers
GORDON TIMOTHY KUMBATIRA
In 24k Black Films Production:
"Love Inspirational"
Gordon on Talent Match
Web sites: 24kblack.com and Talent Match
REGINA HICKS
Black Filmmakers Hall Of Fame Honors Cast And Crew of TV Show 'Girlfriends' During Gala See: JET Magazine! May 30. Page 46-50
Regina at Gala
Web sites: Jet Article and Black Filmmakers
GORDON TIMOTHY KUMBATIRA
In 24k Black Films Production:
"Love Inspirational"
Gordon on Talent Match
Web sites: 24kblack.com and Talent Match
Announcements
Places, People & Things Forthcoming & Ongoing:
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LECTURES/SEMINARS/WORKSHOPS/CLASSES
"The Evolutionary Expressionism
Of Life Energy!"
Baltimore, Columbia, Maryland;
Washington D.C. Metropolitan Area, 'ACTING BEYOND ACTORS' ACTING!'
ACTING WORKSHOPS/CLASSES
SUMMER/FALL - SIX WEEK SESSIONS
For further information
THE NEVER ENDING DAYS...
We Celebrate'LIFE'S INDEPENDENCE ' as the Earth Children of the Golden Light!
"Golgotha"
Henri Fantin-Latour (1836-1904)
Amazon Books: Fantin-Latour
"Heaven is a place where love and nothing but love flows. Real, cosmic, universal love. People love each other as they love themselves. They love the animals, the plants, all the things around them. They even love their trash cans. That's what heaven is. Everyone living as one big family with no "mine" and "yours," only "ours." It's God's home and everyone feels that they are children of that home. Everything is common. Everybody takes care of every thing. It's a collective life. Even if one individual is unhappy, everybody takes care of that person and sees that he or she becomes happy again. Our property is common, our money is common, our kitchen is common, our school is common. In a way, everything belongs to everybody. That's how people live in heaven. If we could live that way, certainly we would have a heaven here. And that is exactly what yogic life means. Living a collective life. Rising above selfishness. Sharing the joy of everyone, and the pain of everyone. Of course such a thing may not happen over night. It might take a lot of effort because we have been brought up with this "I, me, mine, that's mine, that's yours" consciousness. We have to slowly undo all that now. We have our independence, our individuality; but our independence should not interfere with the independence of others. Different individuals live together like the flowers in a bouquet. They may appear to be different, but they have a common purpose: serving each other and collectively serving humanity. That is our aim. Whatever we do should be done in this light."We Celebrate'LIFE'S INDEPENDENCE ' as the Earth Children of the Golden Light!
"Golgotha"
Henri Fantin-Latour (1836-1904)
Amazon Books: Fantin-Latour
- Sri Swami Satchidananda
Emerson's Writing
REPRESENTATIVE MEN
From Uses Of Great Men, 1849
"The Inspiration of Saint Matthew"
Caravaggio (1571-1610)
A Kind Word
Ancient sages lived in forests and
Wandered from village to village,
Sharing openly, teaching the people
Without profit or ownership.
There were more holy aspirants in ancient times. These men and women cultivated themselves in the mountains or wandered among forests and streams. When they came to a village and saw that there was some knowledge that could be imparted to the people, they did so openly. Once they taught what was necessary, they disappeared, knowing that others would follow behind them. They did not establish religious schools, temples, or philosophies bearing their names. They knew knowledge did not belong to anyone. It could not be owned, parceled out for profit, or withheld selfishly. Nowadays, many people regard knowledge as a mere commodity to be packaged, marketed, and sold. Their interest is not in benefit for others' souls but for their own pocketbooks. For example, one contemporary master requires a thousand ounces of gold before he will teach a single technique. We live in a world where the selfless sharing of knowledge is no longer a virtue. The more knowledge that you give away, the more will come to you. The more you hoard, the less you will accumulate. Be compassionate to others. What do you have to fear by being open?
– Deng Ming-Dao
E-MAIL ART CARDS
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"St. Catherine"
Pavel Filonov
(1883 - 1941)
'To The Transcendent Spirits of the
Flowering Consciousness'
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